https://www.fukumarurestoration.com/new-folder daily 0.75 2020-06-04 https://www.fukumarurestoration.com/about daily 0.75 2021-11-05 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591135440712-94UTOXTBSTHGZY9QZU37/tut01.jpg About - Tomb of Tutankhamen, Egypt Since the opening of Tutankhamen's burial chamber in 1923, the painted scenes have deteriorated. In 2009, a facsimile tomb, made using the latest 3D scanning technology, could provided the key to saving this tomb, as well as others in the Valley of the Kings and Queens. Naoko joined the project as the chief conservator to make sure the tomb was kept safe during the scanning while at the same time examining and documenting the tomb. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591138792285-X4ODA9PAHCTG1PR4K3I5/Last.jpg About - Leonardo da Vinci - The Last Supper Change Performing Arts (Milan, Italy) commissioned the production of a 1:1 facsimile of Leonardo da Vinci´s Last Supper in Santa Maria delle Grazie, Milan. Naoko joined the project as a chief conservator to make sure the painting was kept safe during the scanning, and at the same time prepared sticks of color samples to match the original painting and document over 500 discreet colors. Peter Greenaway's vision of Leonardo's Last Supper was later shown at the Melbourne Festival 2009. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591210995965-71OXB771FTJ20VKJG0MG/carravaggioweb2.jpg About - Caravaggio in San Luigi dei Francesi To coincide with the 400th anniversary of the death of the Italian artist Caravaggio, the Municipality of Caravaggio commissioned the Fondazione Giorgio Cini and Factum Arte to make facsimiles of three paintings in the Church of San Luigi dei Francesi in Rome. Naoko joined the project as a chief conservator to make sure the painting was kept safe during the scanning, and at the same time examining and documenting the painting. She also fabricated accurate replicas of the three paintings. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591209796250-VMSZFH9TT7B777TAZQ8J/canaweb.jpg About - Paolo Veronese The Wedding Feast at Cana (1563) The Louvre Museum In the autumn of 2006, the Louvre Museum reached an agreement with Giorgio Cini Foundation and granted Factum Arte Scanning team access to record The Wedding Feast at Cana. Naoko joined the project as a chief conservator to make sure the painting was kept safe during the scanning , and at the same time examining and documenting the painting. She also fabricated an accurate replica of the 732-square-foot canvas. Details are reproduced down to the most minute topography, including the raised seams rejoining the panels that Napoleon's troops cut the painting into when they transported it to France in 1797. https://www.fukumarurestoration.com/home daily 1.0 2024-06-17 https://www.fukumarurestoration.com/contact daily 0.75 2026-03-10 https://www.fukumarurestoration.com/clientsartists daily 0.75 2023-11-06 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591406517849-Z73LQ1JD3EMURSLM9U25/Tritonweb.jpg Clients/Artists - Gian Lorenzo Bernini Triton with a Sea Serpent, the 1630s The Detroit Institute of Arts Museum Gian Lorenzo Bernini was an Italian artist, arguably the greatest sculptor of the 17th century, known for having developed the Baroque style of sculpture. Bernini is also known for his outstanding architectural works. The left hand of Triton and the tail of the sea serpent were broken into five pieces. The fragments were reassembled, losses were filled and the fill was invisibly retouched. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599710794658-QIF08NPHH86EM4JQP55Z/Lucie.jpg Clients/Artists - Dame Lucie Rie 1902–1995 Porcelain Bowl with Authentic Kintsugi Lucie Rie was an Austrian-born British ceramics artist. Rie’s works, usually consisting of hand-thrown pots, bottles, and bowl forms, are noteworthy for their Modernist forms and her use of bright colors. The Collection of Michael Henry https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591407513929-PU8H4UI1EH62X4RYX977/Anishweb02.jpg Clients/Artists - Anish Kapoor Inout (Infinity) 2009 Anish Kapoor is one of the most influential sculptors of his generation. His work has been exhibited worldwide and is held in numerous private and public collections, including the Tate Gallery, the Metropolitan Museum of Art, the Museum of Modern Art in New York, the Reina Sofia in Madrid, and the Stedelijk Museum in Amsterdam. Kapoor commissioned Factum Arte Madrid to produce a two-meter-long sculpture made of highly polished stainless steel panels. Naoko joined the production team as a chief fabricator and assembled over 3000 pieces of panels three-dimensionally. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591298003175-0L3F1PS6KYQDW73I1O4F/Hansonweb.jpg Clients/Artists - Duane Hanson Sunbather Study I Kresge Art Museum, USA Hanson was an American sculptor known for his hyper-realistic depictions of ordinary people. His works can be found in the collections of the Smithsonian American Art Museum in Washington, D.C., the Whitney Museum of American Art in New York, and the Scottish National Gallery of Modern Art in Edinburgh. The sculpture was made of bronze with polyester resin and it had small chips on the forehead and swim cap. The chips were restored invisibly. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591330450146-XC9MK29SRHHRYKX261ZK/thinkerweb.jpg Clients/Artists - Auguste Rodin The Thinker The Detroit Institute of Arts Museum The surface of the sculpture was cleaned with non-ionic detergent. The sculpture was coated with wax using a handheld propane torch and the surface was buffed. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591252486290-0S2NQ7L5O3DQ83QAQYF0/yokonew01.jpg Clients/Artists - Yoko Ono Freight Train The Detroit Institute of Arts Museum “Freight Train” is a German boxcar, rising nearly 10 feet from a segment of track and stretching about 32 feet long. Its walls are riddled with bullet holes and a light shines from within, piercing the wounds and emanating in a searchlight-like ray through the roof of the train. In 2003, Freight Train arrived at The Detroit Institute of Arts Museum for display. Naoko inspected the condition of the train and discovered that bullet holes were filled with fungus. Naoko removed the fungus and treated the wood with fungicide. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591560924783-T0GLQYOK9H5P484FOQA9/usa+test.jpg Clients/Artists - Harriet Goodhue Hosmer 1830-1908 The Detroit Institute of Arts Museum Hosmer was a neoclassical sculptor, considered the most distinguished female sculptor in America during the 19th century. She is known as the first female professional sculptor. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/415377ab-2ee4-44c3-a347-359cfc74fc14/Hamada.jpg Clients/Artists - Shōji Hamada 1894-1978 Hamada was a Japanese potter. He was a significant influence on studio pottery of the twentieth century, and a major figure of the Mingei folk-art movement, establishing the town of Mashiko as a world-renowned pottery centre. In 1955 he was designated a "Living National Treasure". The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/840d63ee-063c-4ac8-9853-98ed61e78f5f/Kokuta.jpg Clients/Artists - Kokuta Suda 1906 - 1990 Kokuta Suda became one of the most important abstract painters of the Japanese avant-garde. In 1948, Suda joined the Han Bijutsu-ka Kyokai (Han Artists Association) founded by Yoshihara Jiro, and in 1949 was introduced to abstract painting via the influential Hasegawa Saburo. Suda’s works are held in museum and gallery collections around the world, including the Miho Museum, Los Angeles County Museum of Art, and the MET in NYC. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7bb2189a-a5b8-417c-ba09-5f19779f5c47/Kanjiro.jpg Clients/Artists - KanJiro Kawai 1890 – 1966 Kanjirō Kawai was a Japanese potter and a key figure in mingei (Japanese folk art) and studio pottery movements. His output was tremendous. He was a master of glazes and performed 10,000 experiments on glazes while still a student at the ceramic divisions of Tokyo Technical College and Kyoto Municipal Institute of Ceramics. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/3f273bb5-298c-4e7c-952a-f69816722319/Toyo.jpg Clients/Artists - c.1955 Toyo Kaneshige 1896-1967 Kaneshige was a potter in Imbe, Japan. He helped to establish the Japan Kōgei Association in 1955 and was deemed a living national treasure in 1956 for his work in the Bizen style ceramics. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/0ab03311-3438-4823-b809-635c993da827/Jomon.jpg Clients/Artists - Jomon Period Potery 14,000 - 300 BC The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599713050994-TIJG9DOGJYNNOSEQZED5/IMG_2877.jpg Clients/Artists - Bernard Leach 1887-1979 Leach was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery". Many potters from all over the world were apprenticed at the Leach Pottery and spread Leach's style and beliefs. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599713916385-YVJ9G8HWMCJKAH9JJJNY/Yuzoweb01.jpg Clients/Artists - Yuzo Kondo 1902 - 1985 Kondo Yuzo was a highly celebrated Japanese ceramist working in the tradition of sometsuke (cobalt blue-and-white porcelain), for which he was designated a Living National Treasure. Yuzo's vigorous brushwork and bold patterning set his work apart from his contemporaries, further praised for his use of specific imagery such as pomegranates, bamboo shoots, plum branches (his favorite motif), and landscapes executed primarily in underglaze cobalt blue. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7ab6526c-c46c-4ccb-94a1-83de0bc0af50/KatoTakuo.jpg Clients/Artists - Takuo Kato 1917-2005 Takuo Kato was born into a family of pottery masters dating back to the late Edo period, Kato studied ceramic art under his father Kobe Kato, and in 1965 traveled to Finland to continue his studies. His works were accepted for the Nitten (Imperial Art Exhibition) for seven successive years from 1956, designated a Living National Treasure. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/c222608e-4f7a-4245-b7b7-f3505f0f486e/Kozan.jpg Clients/Artists - Makuzu Kōzan II 1842-1916 Makuzu Kōzan II was a Japanese ceramist. He was appointed artist to the Japanese Imperial household and was one of the major potters of the Meiji Era. From 1876 to 1913, Kōzan won prizes at 51 exhibitions, including the World's Fair and the National Industrial Exhibition. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/6c753a6e-9c77-4b28-aec6-c82af696e60f/Kaigou.jpg Clients/Artists - Yu Geun-Hyeong 1894 – 1993 Yu Geun-Hyeong (유근형 ; 柳根瀅) was a master Korean ceramist and played a leading role in the revival of Goryeo celadon. He was honored by the government as a Living National Treasure as a holder of Intangible Cultural Property No.13 of Gyeonggi Province. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/ae8c455a-fa7f-4a69-a511-63f31f73dfb9/VAG.jpg Clients/Artists - Yoko Ono and Vancouver Art Gallery A special collaboration event with Yoko Ono exhibition at the Vancouver Art Gallery. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/8b7143e4-7c50-43c8-8616-07ace3a1e2d3/Dorm.jpg Clients/Artists - Nancy Daum Daum is a crystal studio based in Nancy, France, founded in 1878 by Jean Daum (1825–1885). His sons, Auguste Daum (1853–1909) and Antonin Daum (1864–1931) oversaw its growth during the burgeoning Art Nouveau period. Daum is one of the only crystal manufacturers to employ the pâte de verre (glass paste) process for art glass and crystal sculptures, a technique in which crushed glass is packed into a refractory mould and then fused in a kiln. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/8a456353-e4c6-4ae2-bae6-fd38f33ccd4b/Ohi.jpg Clients/Artists - Ohi Chozaemon IX 1901-1986 Ohi Chozaemon IX was born in Kanazawa and worked in his father's studio after completing the ceramics course at Ishikawa Prefectural Industrial School. Studies in Zen Buddhism at Empukuji Temple in Kyoto may have influenced his work. His tea bowls are included in the collection of the Imperial Household. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/547695f1-64bf-4f1e-a1b9-bf08749f7eea/Damian.jpg Clients/Artists - Damian Moppett Damian Moppett (b. 1969, Calgary, Alberta; lives/works: Vancouver) has long been engaged with the processes and materials of painting and sculpture, and their histories, which he uses for the construction of his own vernacular. In his work, Auguste Rodin and Mike Kelley hold court alongside amateur ceramics and humourous interpretations of classical modernist sculpture. The Collection of Damian Moppett https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7e3c7725-8758-4bb6-808f-cca224abb641/JL.jpg Clients/Artists - Jeremy Laing Jeremy Laing is a Canadian fashion designer based in Toronto, Ontario who launched his eponymous brand in 2005. Beginning with a low-key show during New York Fashion Week, he has established a reputation for sharp tailoring, geometric construction and draping and layering techniques. The Collection of Jeremy Laing https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599704266962-YODAY776VGVR0PMZC7Y8/Nanbanweb2.jpg Clients/Artists - Teapot Excavated by Wayne Ngan Ngan was an important Canadian potter, sculptor, painter, and educator. His pottery is in the collections of numerous museums and his works have been widely exhibited in Canada and internationally. Ngan found the tip the spout sticking out from the ground by the countryside road in Kagoshima during his trip to Japan in the1970s. He dug out the entire pot from the soil and hand-built a missing lid and handle himself. The teapot had three cracks and chips at the end of the spout and along the cracks. This object held important memories for Ngan and he was very touched when the damages were restored by the 500 years old traditional Japanese Kintsugi (gold joinery) method. The Collection of Anne Ngan https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599704722983-SL08YIH99OGAA4X36AFM/MickHweb2.jpg Clients/Artists - Michael Henry Henry was an apprentice of Bernard Leach at St.Ives in England. He is one of the important potters who formed an integral part of the West Coast studio pottery movement that flourished during the 1960s and 1970s and produced a legacy of ceramics equal to any other in the world. A pitcher was broken into six pieces and restored by the 500 years old traditional Japanese Kintsugi technique using Urushi resin and gold powder. The Collection of Heinz Laffin https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599708485287-BEW9E85KFF817UCS983B/glenn.jpg Clients/Artists - Glenn Lewis Lewis is a Canadian cross-disciplinary contemporary artist. In 1969, Lewis was commissioned by the Canadian government to create a work of art for Expo '70 in Osaka, Japan. Artifact, a sculptural ceramic work, was ultimately not shown, because it was thought by the commissioner of the Canadian pavilion to be obscene. As a co-founding member of the New Era Social Club, Intermedia, and, in 1973, the Western Front, Lewis was one of an internationally recognized group of artists who established social practice as an artistic medium in Vancouver. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599709415431-RH5MABYL0V8C462QPA6D/Heinzwebnew.jpg Clients/Artists - Heinz Laffin Laffin studied at the Vancouver School of Art from 1958 to 1963 under Robert Weghsteen and at the UBC Summer School in 1960 under John Reeve. From 1963 to 1967, he and Wayne Ngan shared a residence in Vancouver and teaching duties at the Vancouver School of Art, where they instructed from 1965 to 1967. The mouth of the jug was broken into four pieces and restored by the 500 years old traditional Japanese Kintsugi technique using Urushi resin and gold powder. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1593211386141-F9J8K9H1ZU63VWRH5BHI/Gerhardwebnew.jpg Clients/Artists - Gerhard Kozel Kozel was an early British Columbia studio potter who immigrated to Canada from Germany, producing pottery during the 1970s alongside Daniel Materna (d.u.) and Meg Buckley (1931–2020) at Tansar Crafts in Vancouver. The plate had a large fire crack and the crack was restored by the 500 years old traditional Japanese Kintsugi technique using Urushi resin and brass powder. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591335901234-H0SL24H77Q8IA4LAGE4Z/Templeweb.jpg Clients/Artists - Tessan Incense Burner 1900s Fukumaru Antique and Fine Art Auction, Japan The Japanese earthenware incense burner was broken into ten pieces and had losses. The burner was restored by the 500 years old traditional Japanese Kintsugi technique using Urushi resin and gold powder. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591330542307-WFD9XZ6WG635ADAPWSPG/IMG_2039.JPG Clients/Artists - University of California, Los Angeles and the Institute of Archaeology at Tirana Albanian Rescue Archaeology Unit Naoko joined a project of the Albanian Rescue Archaeology Unit in 2004 as the chief ceramic conservator. She excavated and conserved numerous archaeological ceramics, iron age metal artifacts, and human bones. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591315341991-RMUMQ9105DVVY2BKQQIP/Chchester.jpg Clients/Artists - Chichester Museum, UK The first-century Roman Beaker The Roman Earthenware Beaker was broken into 24 pieces and had large losses. The beaker had an extensive previous repair. The previous repair was removed, the fragments were reassembled, the losses were reconstructed and the reconstruction was retouched. "Courtesy of Chichester Museum, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591316693334-2NDAJFG3KQLEQ9BXLN8X/Roman+jug+web.jpg Clients/Artists - The Museum of London The first-century Roman Glass Jug 156 blue Roman glass fragments were assembled and the shape support was made with modeling wax. A two-piece mold was made using silicone rubber and the final support was cast with clear resin. "Courtesy of The Museum of London, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591254836758-QVC55HHWQKPIGIFWBO7S/IMG_0931.jpg Clients/Artists - Miura Chikusen IV 1911-1976 The porcelain plate was made by Miura Chikusen IV of the renowned family of Kyoto ceramic artists. The plate was broken into five pieces and restored by the 500 years old traditional Japanese Kintsugi technique using Urushi resin and gold powder. The Collection of Fukumaru Ceramic & Glass Art Restoration https://www.fukumarurestoration.com/services daily 0.75 2021-11-20 https://www.fukumarurestoration.com/glass daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591581073289-DUCSCXJXCDL4MMC41MZN/Rglass1.jpg Glass - 4th century A.D. Roman Green Glass Plate The Metropolitan Museum of Art, New York The plate was broken into 18 sections and small pieces. The broken pieces had been reassembled with an adhesive that had yellowed. "Courtesy of The Metropolitan Museum of Art, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591581363066-6IS52TWQ0B2GY8ZL2J44/Bglass.jpg Glass - 5-6th century Syrian Mold-blown Glass Jug The Metropolitan Museum of Art, New York The jug was broken into 52 sections and fragments were assembled using the microscope. "Courtesy of The Metropolitan Museum of Art, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591581472259-57C31FDKC8IDFQGWJ5M2/Greenglass.jpg Glass - 5-8th century Merovingian Free-blown Grass Jar The Metropolitan Museum of Art, New York The upper part of jar was broken into three large pieces and three small pieces. There are two sections of losses.The fragments were assembled and losses were secured using Japanese paper. "Courtesy of The Metropolitan Museum of Art, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591580847298-ADOYQL7PK9HEZLPL2CSG/wine2.jpg Glass - 17th century Italian or Dutch Wine Glass The Metropolitan Museum of Art, New York The glass was broken into five pieces and there are two triangular-shaped losses at the rim. The fragments were assembled and losses were filled with clear resin. "Courtesy of The Metropolitan Museum of Art, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591581912082-SMA24V3AYQRRE8O35XCQ/Untitled-2.jpg Glass - 19th century Venetian Glass Vase in Shape of Dolphin The Metropolitan Museum of Art, New York The dolphin was broken into many pieces and large losses in the mouth and the shells. One of the fins was lost. The fragments were assembled and losses were reconstructed with clear resin. "Courtesy of The Metropolitan Museum of Art, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591582612228-6W8IP3TJRDSN5YO71NR6/vencup2.jpg Glass - 19th century Venetian Glass Cup with Cover The Metropolitan Museum of Art, New York The cup was heavily damaged and some losses. "Courtesy of The Metropolitan Museum of Art, Conservation Department Imaging Lab” https://www.fukumarurestoration.com/kintsugi daily 0.75 2024-12-25 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591469322981-P0G5WCYMYN2WZEA7O3Q6/IMG_2251+copy.jpg Kintsugi - Kintsugi Kintsugi, the Japanese art of golden joinery, is a five-hundred-year-old method of restoring damaged ceramics, seen as enhancing their beauty and value by celebrating their imperfection and impermanence. Kintsugi uses a special tree sap dusted with gold powder to highlight (rather than hide) restorations. The studio practices authentic Kintsugi restoration which uses traditional methods and materials to innovate, explore, and expand the confines of what it means to be “beautifully broken”. The benefit of Kintsugi is that it is 100 percent food-safe. This is not generally the case when using synthetic materials and European/Western repair techniques. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/6aedb9ad-2074-42a2-8cb4-0c5d9ed95cfe/Toyo.jpg Kintsugi c.1955 Kaneshige Toyo (1896-1967), National Living Treasure The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/8c9f1cbd-408b-4469-8983-b563c3556ab7/Raku.jpg Kintsugi Taisho period (1912 -1926) Black Raku ware The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/25102a98-c846-4d2c-9d6c-30fd29591449/Karatsu.jpg Kintsugi Early Edo period (1603～1691) Old E-Karatsu excavated from Kihara Kiln The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/e3a01b11-a601-43a7-85dd-e85807072945/Imari.jpg Kintsugi 1600s Edo period old Imari Porcelain The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1606453550886-ELHSOMIZK2B9TO52CSEB/Rosanjinweb.jpg Kintsugi Rosanjin Kitaoji 1883 – 1959 Recognized as one of the most important Japanese potters of the 20th century. Rosanjin was a multi-talented, self-taught genius, a master of ceramics credited with reviving that art in Japan. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1606453217722-3U8KXWPBQOWXUXKCTXQI/HiroshiKondoweb.jpg Kintsugi c.1950 Hiroshi Kondo Ceramic artist. Active in Kyoto. Second son of the Important Intangible Cultural Property Holder (Living National Treasure) Kondo Yuzo (1902-1985). The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/c1a4f273-2cfe-4fde-a296-bf46118f7b61/Kamata.jpg Kintsugi 1970s Koji Kamata Tenmoku glazed stoneware The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/e19e8b69-2c2e-4e0a-a5a7-d65bbe4da0e3/Kiseto.jpg Kintsugi 1930s Kiseto ware (yellow Seto) The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/ab41f884-31ff-450d-964a-686555dedf84/Islam.jpg Kintsugi Kashan Persia (Iran) earthenware 11th century - mid-14th century The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/e619a76c-c2fe-4cc1-a8c6-98af4b3fa921/Lama.jpg Kintsugi Nazca style Bowl The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591473242402-519X0XVACW02NECDJRMT/Noh02web.jpg Kintsugi c.1900s Japanese Plaster Noh Mask The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599707439486-H4EEKHYLJ5DGG9JCNXXK/kintsugi+about.jpg Kintsugi c.1960 Japanese Kyoto Earthenware Tea Bowl The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1606450551911-7XX3SI2ZO68RABX22FXF/webyuzuru.jpg Kintsugi Oil spot Glaze Cup by Yuzuru Sasaki https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1606451019168-XH8T7UHK3DOATWE5KYF3/Satsuma.jpg Kintsugi c.1920 Japanese Satsuma Earthenware Cup The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1593196413298-KLQ8IPERXDPFOLJ065QE/PSwebnew.jpg Kintsugi c.1710 Chinese Porcelain Plate The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591472192615-OOLCMAAHBAMLV88YR092/Tenweb.jpg Kintsugi c.1800s Rare Japanese Karatsu Stoneware The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591476033080-EBCHB6O9ZSM9QJEOP3EP/oceanweb.jpg Kintsugi c.1800s Japanese Imari Porcelain Charger (Diameter 31cm) The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591494063917-AI49EIFMAZA37IL2PAZJ/BMweb.jpg Kintsugi c.1800s Chinese Jian Yao Hare Fur Glaze Ceramic Tea Bowl (Late Qing Dynasty) The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591479263717-J6K92OCK7ICAM5VA4QXE/Ladyweb.jpg Kintsugi 1662-1722 Chinese Kangxi Porcelain Dish, Qing Dynasty The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591596519241-C80HJTLX2S1QQLPWOFOV/Komorebiweb.jpg Kintsugi - c.1960s Japanese Bizen stoneware The Collection of Fukumaru Ceramic & Glass Art Restoration Japanese Bizen stoneware c.1960s https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/3d1fbddb-a143-492d-821f-bd22f7560e20/Trypod.jpg Kintsugi Pre-Columbian tripod possibly 300-700AD Costa Rica The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/d8e5ac6b-1b59-42ad-813b-00a34e350dd7/Peru.jpg Kintsugi - Peru, Moche IV style Fine-Line Painted Vessel The Collection of Fukumaru Ceramic & Glass Art Restoration Japanese Bizen stoneware c.1960s https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/abb91acd-169a-4047-ac0c-fc5fe2bb82f8/RedVase.jpg Kintsugi 19-20th century, Chinese Jun style red glaze porcelain Gu-form beaker vase. The vase was gifted from China to Japan as a memorial gift of the Treaty of Peace and Friendship between Japan and the People's Republic of China in 1978. The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7006e7fb-45ca-4406-9aaf-25de431bb3b4/Vietnum.jpg Kintsugi - 19th-century Vietnamese plate The Collection of Fukumaru Ceramic & Glass Art Restoration Japanese Bizen stoneware c.1960s https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599971575638-08JPVNLUVV4R88P7THO3/Imari.jpg Kintsugi c.1800s Rare Japanese Imari Porcelain Plate The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599971034786-J53BZB7Q5P5FWV8FTMO0/Bowl01.jpg Kintsugi - c.1960s Kyoto Rakuware The Collection of Fukumaru Ceramic & Glass Art Restoration Japanese Bizen stoneware c.1960s https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/4b7a53a9-1e2d-4c8d-83ec-f2d3c54517bf/Large.jpg Kintsugi Taisho period (1912 -1926) large Imari bowl The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/90b081a7-f772-46ee-bf92-188bccb318ed/Shigaraki.jpg Kintsugi - 1960s Shigaraki ware The Collection of Fukumaru Ceramic & Glass Art Restoration Japanese Bizen stoneware c.1960s https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591482316398-GI5TP8CV029F3T20MI76/usweb.jpg Kintsugi c.1900s Japanese Stoneware Charger The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591482642245-0OJ2IB8RW0QU0SQPFACN/Lightweb.jpg Kintsugi c.1900s Japanese Stoneware Tea Bowl The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599971123158-F71RV64ST418S11ZUKWZ/plate02.jpg Kintsugi c.1800s Chinese Porcelain Plate The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599971385745-NYO0TD803P51B6DVOFNP/IMG_2057.jpg Kintsugi c.1960s Kyoto Rakuware The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/dae0ae0f-5aa7-4f51-910c-5255eb2eda59/Wayne.jpg Kintsugi Wayne Ngan (1937 - 2020) Private Collection https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1606863826689-0FJVNMLH941GUJC61QM6/testCharmian.jpg Kintsugi Charmian Johnson (1935 - 2020) She primarily works with ceramics but has also worked with ink on paper drawings[4][5] and painting. Having apprenticed with Glenn Lewis and Mick Henry during her graduate studies at UBC she is directly tied to their philosophies linked to Bernard Leach and Japanese Pottery. The Collection of Bryan Mulvihill https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599972706828-KDIOZRA7TDMB11TX9L51/IMG_1932.jpg Kintsugi Heinz Laffin https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1599972740582-DZ5C5OBDJRBNACPO6FHQ/IMG_3521+%281%29.jpg Kintsugi Heinz Laffin https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/81d22c54-09ea-46c9-9126-742ab34eb234/Glass.jpg Kintsugi 1960s Haruyoshi Matsuzoe crystal bowl The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591502463699-LLIO3R2GKCGCMT10K4QG/Pondweb.jpg Kintsugi 18-19th century Dutch Delft Earthenware Plate The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591501350446-7YURVVOWT3LFUNO9IF4E/Bweb.jpg Kintsugi 600CE Pre-Columbian Peruvian Chimu Blackware The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/f87ca081-bade-421c-8407-25ee25ff0a45/whiteV.jpg Kintsugi 1960s Masamichi Yoshikawa Tokoname porcelain Tokkuri Sake Bottle The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1600289205365-WE3T0TPJAAZVF874YAPH/seaU.jpg Kintsugi Sea Urchin from Okeover Inlet The Collection of Fukumaru Ceramic & Glass Art Restoration https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1600274480585-500R3KSABBH7LS1Z2RWI/Floor.jpg Kintsugi Kintsugi Restoration on Concrete Floor Cracks The Beach House in Okeover https://www.fukumarurestoration.com/ceramics daily 0.75 2021-02-01 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591838301456-O4TKJP7MGU4A8Q6WHXUR/DIA+Greek.jpg Ceramics - 4th Century BC Campanian Trefoil Oinochoe The Detroit Institute of Arts Museum The vase was broken into nine pieces, had cracks and some original decoration was lost due to the previous restoration. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591640900902-H5P2Z9OOLA5Y84BF1M08/Tangweb.jpg Ceramics - 618/906 CE Chinese E arthenware with Pigments The Detroit Institute of Arts Museum The figure was broken into seven pieces. Fragments were assembled, losses were filled and filling was retouched. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591726784301-LQ8ROU7HBMZZAATVGBKS/perweb6.jpg Ceramics - 12th Century Persian Bowl The Detroit Institute of Arts Museum The bowl was broken into 69 fragments and had losses. It has been previously restored and over retouched. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591414547931-WPV61NU70MCJCXDJJTXD/seatedwomanweb.jpg Ceramics - 3rd - 2nd century BCE Greek Seated Female The Detroit Institute of Arts Museum The figure was broken into eight fragments. The right hand, decoration on her head, middle and top of throne are missing. There are small chips along the joins. It has been assembled and small missing portion restored with filling material. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591402157662-J4GM56RAJ4WA8NQUY3QZ/Gregg+test.jpg Ceramics - 5th century BC Neck Amphora Horos The Metropolitan Museum of Art, New York The vase was broken in many fragments and had losses. "Courtesy of The Metropolitan Museum of Art, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591416738115-X9KHUZHNUTTL9A0IS69B/PreCweb.jpg Ceramics - 1200 BCE - 1535 CE Pre-Columbian Stirrup Bottle The Detroit Institute of Arts Museum The bottle was broken into 122 fragments and numerous small chips. It was previously restored and over painted. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591598960440-XPUG5YJT6HS4IPNFDOIX/Kraterweb2.jpg Ceramics - 320/310 BCE South Italian Funerary Vase, Baltimore Painter The Detroit Institute of Arts Museum The vase was broken into more than 100 pieces and small chips. It was previously restored and had numerous losses along the beak joins. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591427556467-SO0X335VTSZ5JKDTUMV5/WallFweb.jpg Ceramics - 1800/1850 Persian Wall Fountain The Detroit Institute of Arts Museum The top proper right panel of wall fountain was previously broken into five fragments. It was restored with European hidden restoration. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591426437073-BNV95C91DIEI8XF4P91Y/maiolicawab.jpg Ceramics - c.1760 Italian Maiolica Castelli Plaque The plaque was broken into four large sections and smaller pieces. There were losses of glaze around the break lines. It was restored with European hidden restoration. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591422613406-HG31NU91EPTV05RC4RNJ/Maiolica2web.jpg Ceramics - 14th century Italian Maiolica Maiolica cup was broken into 3 pieces and had large losses. Fragments were assembled, the losses were reproduced and retouched. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591424905926-JXRM1IVX3OK8SOHX8NUL/redpotweb.jpg Ceramics - c.1750 Staffordshire Red Stoneware Teapot The teapot was broken into 17 sections and had some losses along the break joins. It was restored with European hidden restoration. https://www.fukumarurestoration.com/other daily 0.75 2020-06-04 https://www.fukumarurestoration.com/porcelain daily 0.75 2020-06-04 https://www.fukumarurestoration.com/stone daily 0.75 2020-06-04 https://www.fukumarurestoration.com/porcelains daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591519178009-KRZGOSG9IIWSB3U8D4AD/chineseP.jpg Porcelain - c. 1426/1430 Chinese Palace Bowl with Garden Scene The Detroit Institute of Arts Museum The bowl was broken into nine sections. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591514232096-X00MY5GU7QQZBDSCZMAF/Teacupweb.jpg Porcelain - c.1760 Fürstenberg Porcelain, Tea and Coffee Service The Detroit Institute of Arts Museum "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591555605427-AGQTSWLC96NXTXRCOS7F/candle.jpg Porcelain - c.1740 Meissen Porcelain Candle Holder The figure was previously restored and had over retouching. The broad brim, the bagpipe and two french porcelain flowers were missing. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591556990287-KSAFUAJNGF3SNX0SG9SP/clockweb.jpg Porcelain - c.1820 Bracket clock, Meissen Porcelain Factory The clock was previously restored and had over retouching. The decorative garland, two finials, the wing of dove, fingers and the toe of angel were missing. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591554747989-4AJGFKW56C1SLAYA9RTY/Meissenweb.jpg Porcelain - c.1815 Meissen Schneeballen Saucer The saucer was broken into 16 sections and many losses. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591555107209-FLYOXIH9PDSE1ZZZFQ7B/Bowdeersweb.jpg Porcelain - c.1755 Pair of Bow Porcelain Stag and Hind Pallant House Gallery, UK Stag: The antlers, ears and tail had been previously restored and over painted. The hoof and the flower had chips. Hind: The right ear was missing. The hoof, the flower and the leave had chips. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591640512958-C9GN8YIOIAB1HWNMPHPI/flowerb402.jpg Porcelain https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591512287166-BWAB05QVDQYKK40VQAMR/Untitled-6.jpg Porcelain https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591511309280-HNF0V2QFAZ95AADW0FU7/Untitled-5.jpg Porcelain https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591556522952-UHKWVAO1N85JVKJSKV5N/lid.jpg Porcelain - c.1790 Copenhagen Porcelain Ice-pail Lid The handle was previously restored with wood and metal. The rim of the lid had some losses. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591556661987-6C7K7BO16ORWDJUE72EM/Broach.jpg Porcelain - c.1900 Limoges France Porcelain Brooch Fukumaru Antique and Fine Art Auction, Kyoto, Japan https://www.fukumarurestoration.com/stones daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591596210411-CKYT9R5DKQ7GGJEZ0VZJ/snake2.jpg Stone - 2nd/3rd Century AD Roman Mystic Marble Basket The Detroit Institute of Arts Museum "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591584707539-XPTVEPLKMWGL17SWOF1O/marbletop.jpg Stone - 19th century Wood Commode with Marble Top The marble slab top has been broken into 26 fragments. There were losses along the break joins. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591584193198-24C9F8VF5I3RM9LM6P59/Fmarble.jpg Stone - 19th Century French Marble Figure The figure was previously restored using cement fills. 70% of right arm, 30% of the fan and right hand were missing. After the removal of previous restoration, losses were reconstructed using the resin. https://www.fukumarurestoration.com/others daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591588755195-YSM9M8F1DQDH27CZVUEH/tiger.jpg Others - 206 BC/220 AD Chines Bronze Tiger The Detroit Institute of Arts Museum The lower proper right leg of the tiger was broken off and there were losses along the break join. The fragment was assembled and losses were filled. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591588192078-WXKS88WLR82GMPDSZ4EA/cape.jpg Others - c.1930 Ndebele Linaga Cape The Detroit Institute of Arts Museum Numerous small areas of bead loss due to deterioration in cotton thread. There were 65 detached beads and the surface of beads were very dirty. The cape was cleaned and loose threaded beads were consolidated. The detached beads were reattached. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591589559552-ZVK23U252N5EI128BJN9/enamel.jpg Others - 18th-19th century Canton Enamel Vase The corner of foot and neck were badly damaged. The copper structure of foot had been distorted. Enamel was flaking in small pieces around the breaks. Flaking enamel was consolidated and distorted copper was reshaped. Large losses were reconstructed using coloured resin and invisibly retouched. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591590788070-DOGOSQQ5DHPGIM44G7AD/gate.jpg Others - 1928 Entrance Gate from Safe-Deposit Vault Lobby, Detroit Wirt Rowland - American Architect The Detroit Institute of Arts Museum The gate originally guarded the safe-deposit box vault of the lowermost public floor of the Union Trust Building, one of the signature, and certainly most innovative, structures erected during the pre­Depression era in Detroit. The gate was fabricated in Monel metal. The surface had accumulated grime and fingerprints. Metal polish remains in recesses. "Courtesy of Detroit Institute of Arts, Conservation Department Imaging Lab” https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591592967656-14F6VEOXP3A8RJJAGZHF/kuri2.jpg Others - c.1900 Japanese Chestnut Bronze Sculpture Fukumaru Antique and Fine Art Auction, Kyoto, Japan A branch of the sculpture was missing and it was reconstructed with resin. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1591591764318-NMB6AG1D824NNEG3ELBI/alb.jpg Others - Iron Age Skull, Right Radius and Ulna of Young Male University of California, Los Angeles and the Institute of Archaeology at Tirana Albanian Rescue Archaeology Unit Iron Age skull, right radius and ulna of young male were excavated from the tumulus of Lofkend in Albania. The soil was carefully removed and fragments were assembled. https://www.fukumarurestoration.com/media daily 0.75 2026-02-20 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/28000159-e824-4ced-877f-8432913a356c/Fairfield.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/591924c5-a447-4982-b5f5-8d68df46b603/Morikami.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/dca7da69-2eff-4bc9-819b-7f5249a30a03/SFMA.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7b5e8ac2-32a0-43bc-8315-40ec2c44e8c5/BYU.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/0b098474-e928-4c7c-9c65-8bf50d1e52cb/IMG_6804.jpeg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/3298939d-2d6b-4a8a-b005-a9cf0223fdee/Glenbow.jpg Media/Show/Award 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https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/6079d34b-4fb2-47d3-bfd1-4510291bad23/IMG_3296.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/54f42902-8491-4e28-b479-3fa3d2097da0/Screen+Shot+2021-11-18+at+9.28.11.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/d7414828-f35f-4cc9-bb96-b784bad805b1/AGB.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/3e2d5b5b-7b2a-4fe1-9e43-1e5c01d2964c/The_Art_of_Kintsugi_page-0001.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1623034807684-PL92EWI14W10YZNZSHYR/Richmond+Art+Gallery Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/0074f352-111a-40f4-88cc-af141beade34/IMG_0469.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1633111742833-77JRBBHRANXKG21J7UQH/Kamloops.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611639175313-7ZZTGOQ4VAEV8B9BAIU4/IMG_4010.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611639240951-U3DLKQDFUVLH91KXS0R4/Screen%2BShot%2B2020-10-30%2Bat%2B23.17.57.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611639365192-KAQCWDA63R48WWYMF0VR/82129635_1068389873539909_3579359829623308288_n.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/56a29415-b8c6-40f2-ab42-d592d166cf6d/Screenshot+2026-02-20+at+10.50.20%E2%80%AFPM.jpg Media/Show/Award Ceramics Monthly Magazine An article about Fukumaru’s work January 2026 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/3482252a-bf42-43fc-b7bb-5d5cdab62a66/Screenshot+2026-02-01+at+4.40.14%E2%80%AFPM.jpg Media/Show/Award Freshet News Freshet News features Fukumaru’s exhibition at the Nikkei Museum December 2025 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/ef73779c-61af-434d-9ec9-32eb306e23ad/Screenshot+2026-02-01+at+4.43.34%E2%80%AFPM.jpg Media/Show/Award Japan Canada Today Japan Canada Today features Fukumaru’s exhibition at the Nikkei Museum October 2025 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/f9e3fc8e-06bd-4471-9166-fb5d9f6ac2fb/Screenshot+2025-10-16+at+10.09.56.jpg Media/Show/Award Montecristo Magazine An article about Fukumaru’s solo exhibition at the Nikkei National Museum Montecristo Magazine, October 2025 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/b3a6d69f-738e-4964-b92d-5a95fdeecaa1/Preview.jpg Media/Show/Award Preview Art Magazine Preview Art Magazine features Fukumaru’s exhibition at the Nikkei Museum Preview Art Magazine, Nov/Dec 2025 Issue https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/07da0519-852b-416b-878d-7686d34f2fd3/Screenshot+2026-02-01+at+4.48.03%E2%80%AFPM.jpg Media/Show/Award BC Historical Federation British Columbia Historical Federation features Fukumaru’s exhibition at the Nikkei Museum September 2025 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/014ccb49-99b5-4f20-828d-9fb9e858c044/Stan.jpg Media/Show/Award Know What You See Fukumaru was invited as a guest on the PRX and Stanford Business School’s podcast “Know What You See with Brian Lowery.” April 1, 2025 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/bdfc9f2d-d567-4fee-b335-31b40f1ac780/%E6%9C%AC.jpg Media/Show/Award - Make it stand out 京の美 (Beauty of Kyoto) Fukumaru’s interview was published in the book “Beauty of Kyoto” by Yutaro Shimode March 2025 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/2be0af19-7f51-4949-98ca-0b79b3ac8c23/%E3%81%95%E3%81%8F%E3%82%89%E9%80%9A%E4%BF%A1.jpg Media/Show/Award Sakura Tsushin Fukumaru’s interview was published in the Sakura Tsushin March 2025 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/c9531090-a20f-44fe-9b5f-f7571fcaabb2/oakbaynews.jpg Media/Show/Award Oak Bay News Oak Bay News features Fukumaru’s exhibition at the Art Gallery of Greater Victoria November 16 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/529dfff0-1ed7-4f2f-9086-7ab3c2623942/gallerieswest.jpg Media/Show/Award - Make it stand out Gallery West Gallery West features Fukumaru’s exhibition at the Art Gallery of Greater Victoria November 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/bb134043-358c-4527-992b-77d9d8690016/Nexus.jpg Media/Show/Award AGGV Magazine Nexus Newspaper features Fukumaru’s exhibition at the Art Gallery of Greater Victoria January 6 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/e184355a-3d4b-479c-84d3-bb318e0a4f7e/Forbs2025.jpg Media/Show/Award Forbes.com Fukumaru’s work “Resilience” was featured in Dr. Tal Patalon's article on Forbes.com December 21, 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/a321ee96-b32f-4ffd-baa0-91cf50cbe853/North+American+Post.jpg Media/Show/Award - Make it stand out The North American Post The North American Post features Fukumaru’s solo exhibition at The Portland Japanese Garden. November 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/e9a91c0c-a00d-4092-930e-60b60123af19/Screenshot+2025-01-10+at+14.39.57.jpg Media/Show/Award AGGV Magazine The Art Gallery of Greater Victoria Magazine published Fukumaru’s Essay December 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/2ab54931-d6b2-4da9-a4d9-557ca10319af/Screenshot+2025-02-07+at+15.48.20.jpeg Media/Show/Award CBC Creator Network CBC Creator Network produced Fukumaru’s documentary November 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/8c9f21ee-32df-475a-aba8-0f2ed8fbfb7c/Screenshot+2024-12-24+at+20.26.15.jpg Media/Show/Award - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/90a5eed1-738d-497d-91b7-926b45236823/Screenshot+2024-12-24+at+20.21.45.jpg Media/Show/Award Preview Art Magazine Preview Art Magazine features Fukumaru’s exhibition at The Portland Japanese Garden. November 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/81a75063-c4e1-4e8b-9978-80bf8f396a94/Screenshot+2024-12-24+at+20.01.34.jpg Media/Show/Award Oregon Public Broadcasting 20 minutes interview by Oregon Public Broadcasting November 14, 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/eb4f1600-34c5-4226-bc9e-40131c28520a/Screenshot+2024-12-24+at+20.12.34.jpg Media/Show/Award - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/04c051a5-f1d0-4378-81e9-176a0c7861d8/Screenshot+2024-12-24+at+20.16.53.jpg Media/Show/Award Victora News Victoria News features Fukumaru’s exhibition at the Art Gallery of Greater Victoria. November 16, 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/ccaaf79a-29ba-439f-9e23-67d6355f5e44/-portlandtribune.jpg Media/Show/Award Portland Tribune Fukumaru’s exhibition at The Portland Japanese Garden was featured. September 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/0c3f712c-743d-41d7-96ff-ee13b8ec7e91/Screen+Shot+2024-10-16+at+13.46.24.jpg Media/Show/Award - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/f1dd953e-8774-426a-99f9-265300afa26c/Screen+Shot+2024-10-29+at+16.47.17.jpg Media/Show/Award Oregon Artwatch The Oregon Artwatch wrote the review of Fukumaru’s exhibition at The Portland Japanese Garden. October 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/811430d4-8782-47f6-ad5c-9c11ef7a6023/culturalnews.jpg Media/Show/Award Cultural News Fukumaru’s exhibition at The Portland Japanese Garden was featured. September 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7a4c6bfc-a77e-4cda-972d-fe6169eefdfc/KGW-TV.jpg Media/Show/Award - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/cb82d14f-b385-4a53-88c8-f96c56eb9f03/Sunshine+Coast+Arts+Magazine.jpg Media/Show/Award Sunshine Coast Arts Magazine The Sunshine Coast Arts Magazine future Fukumaru’s artwork “Oacean Scars”. September 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7b85b291-9dd3-4321-b2ed-504647d3fb95/Screen+Shot+2024-08-22+at+15.33.53.jpg Media/Show/Award The Garden Path The Garden Path publication August/September edition, the Portland Japanese Garden features Fukumaru’s work and stories. August 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/794566d2-c314-4b3a-a843-646707ca9b9b/Screen+Shot+2024-09-04+at+12.07.18.jpg Media/Show/Award - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/5b0e0324-e42f-4c13-85d2-06ace591427f/Here+is+Oregon.jpg Media/Show/Award Here is Oregon Fukumaru’s exhibition at The Portland Japanese Garden was featured. September 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1099bdb9-8545-4b2b-a379-27601acb5046/Big+Wing.jpg Media/Show/Award Big Wing Review The Big Wing Review Magazine in New York received 2,600+ submissions and selected work from 21 authors and 7 artists. Fukumaru has been selected as one of the 7 artists. February 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/e908cff6-013d-4689-8fde-e4999b6bdd67/Forbes.jpg Media/Show/Award Forbes.com Fukumaru’s work “New Life” was featured in Dr. Tal Patalon's article on Forbes.com February 17, 2024 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/4fd3a9de-d657-4033-b2f9-290656097019/Screen+Shot+2024-05-28+at+18.41.35.jpg Media/Show/Award Tetsujin Style Tetsujin Style selected 8 Japanese Kintsugi masters. Fukumaru has been selected as one of the 8 artists. December 2023 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/3a94d99a-177b-444e-98c5-85a7221752e2/Screen+Shot+2024-05-28+at+18.54.17.jpg Media/Show/Award - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7a8ce201-11d2-43ae-868a-a6c8387ff05e/Screen+Shot+2024-05-28+at+19.01.29.jpg Media/Show/Award BC Ceramic Marks Registry BC ceramic marks registry features Fukumaru in the registry 2023 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/c2f5b7f4-23c0-42db-89f9-2255f887905b/Screen+Shot+2023-09-08+at+19.31.45.jpg Media/Show/Award CBC Radio An article and CBC Radio Interview by Tapestry on September 8, 2023 Fukumaru’s interview is from 40:19 to 52:00 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/ec07d15c-fc01-4d52-8850-75bd9ec1f616/Congregation+Emasu+EL.jpg Media/Show/Award Congregation Emanu EL Fukumaru discussed Kintsugi healing with Rabbi Joshua Fixler for High Holy Days at Congregation Emanu EL in Houston on August 21, 2023. Her interview is from 35:21 to 44:20 on their YouTube video. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/0b8e1777-394c-41a2-99e3-165309661805/%E6%BC%86%E3%81%AE%E8%A9%B1%E3%82%A6%E3%82%A7%E3%83%95%E3%82%99.jpg Media/Show/Award Kyoto Shinbun NewsPaper Fukumaru was awarded The Ishibashi Foundation/The Japan Foundation Fellowship in 2023 and her activities were featured in Kyoto Shinbun Newspaper December 8, 2023 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/b1c4f198-7b86-4cca-8b7b-b8eb199af37d/Screen+Shot+2023-08-03+at+23.39.51.jpg Media/Show/Award ARS Orientalis Naoko Fukumaru was featured in the article ARS Orientalis (Cosponsored by the Department of the History of Art, University of Michigan, and the Freer Gallery of Art, Smithsonian Institution.) Mended Bodies: Ceramics Restored with Laquer by Yayoi Shinoda Volum 52, 2022 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/c607701b-ba59-4746-a722-0750ee65a782/Screen+Shot+2022-10-22+at+22.31.53.jpg Media/Show/Award Magnifissance Magazine An article about Fukumaru’s Kintsugi work Magnifissance Magazine Issue114, August 2022 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/45faa249-02c2-4319-9353-f489eb946c67/Transformation.jpg Media/Show/Award Powell River Peak An article about the Exhibition “Transformation” Powell River Peak July 3, 2022 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/9851654f-bb48-4501-a28e-9c9e3b371d3d/Zoom.jpg Media/Show/Award Zoom Magazine An article about Fukumaru’s Kintsugi work in Zoom Magazine, Spring 2022 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/96c2c31c-35df-478c-969e-695a72b78643/Living.jpg Media/Show/Award qathet Living Naoko Fukumaru’s essay in qathet Living Magazine (page 35-39) on April 2022 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/163aa8d3-3209-4654-b59e-1ff665f95dcb/SorryWatch.jpg Media/Show/Award SorryWatch An article about Fukumaru’s Kintsugi work in SorryWatch on April 27, 2022 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/b5fa6596-5408-4fd1-b117-49e3e70c8e3b/Screen+Shot+2021-11-18+at+23.19.24.jpg Media/Show/Award Vancouver Sun About Kintsugi exhibition at Richmond Art Gallery and Fukumaru’s Kintsugi work in Vancouver Sun, July 15, 2021 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/7fac429a-345e-4d69-b2de-3a13aee585b7/CBC.jpg Media/Show/Award CBC Radio CBC Radio Interview by North by Northwest with Sheryl MacKay on March 16, 2022 Fukumaru’s interview is from 18:00 to 34:30 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/18e2bbe3-30da-47d6-aa83-82ae88664012/Screen+Shot+2022-03-19+at+19.27.49.jpg Media/Show/Award Powell River Peak An article about Fukumaru’s Kintsugi work in Powell River Peak Newspaper on March 11, 2022 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1625512111357-VOZMUURRDQ6Z0CSCRD40/Rnews.jpg Media/Show/Award Richmond News An article about Kintsugi exhibition at Richmond Art Gallery and Fukumaru’s Kintsugi work in Richmond News, July 5, 2021 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1625623490045-S4BQS6GHHZ5XC461U642/Screen+Shot+2021-07-06+at+19.03.22.jpg Media/Show/Award La Source An article about Fukumaru in La Source/TheSource, a Vancouver-based bilingual newspaper, July 6, 2021 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1625707597234-Q5WTO5AB42HB1YBMYVIZ/Tyeeweb.jpg Media/Show/Award The Tyee An article about Kintsugi exhibition at Richmond Art Gallery and Fukumaru’s Kintsugi work in The Tyee, July 7, 2021 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611639019494-NA7L6CCXGFZSZDM3DGTX/Screen%2BShot%2B2021-01-19%2Bat%2B14.14.56.jpg Media/Show/Award Vancouver Magazine An article about Reincarnation exhibition at Sunzen Art Gallery and Fukumaru’s Kintsugi work in Vancouver Magazine, Jan 4, 2021 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611805216348-2EFMQ8PGTH3DWDVO0ILC/IMG_4456.jpg Media/Show/Award Montecristo Magazine An article about Naoko Fukumaru Montecristo Magazine, Jan 27, 2021 https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1631127109051-R4UD3NDYKJOBC8BZI5D4/Screen+Shot+2021-09-08+at+11.50.04.jpg Media/Show/Award CBC Radio CBC Radio Interview by North by Northwest with Sheryl MacKay in August 1 2021. https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611638700802-NF96RULYLOOYAB2H5X4Y/Page-044.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611638764798-L4HNB5O4SHCOZ33J7JWG/Page-042.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611638818747-XAUS27GJER7C9XYVVOUH/Screen%2BShot%2B2020-10-01%2Bat%2B11.40.42.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1611638901448-ZDZNFYA4BU6HEDAWPB4P/Screen%2BShot%2B2020-12-25%2Bat%2B20.57.46.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1612031581376-FYCIDVX5JTTCJ4ZRKP00/Screen%2BShot%2B2021-01-30%2Bat%2B10.22.08.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1626318809995-WMR9PEQSY8140YE91RNB/JapaneseNews.jpg Media/Show/Award https://images.squarespace-cdn.com/content/v1/5ed53ef5ff171937198f4c9a/1631126895436-KX2MEWXR9WC19YCYWY2R/Screen%2BShot%2B2021-05-23%2Bat%2B18.36.46.jpg Media/Show/Award